Sunday, May 13, 2012

From the author


Jack Muir’s views and those of his contemporaries might be seen as anachronistic – in particular, as racist and sexist. Was it difficult to negotiate these potentially unpalatable qualities in a way that would keep the reader on side?

Not only was it difficult, it was heart rending and soul wrenching. Remembering a nastier time when so many attitudes were repugnant and violence commonplace and, in particular, the small part you played out in the middle of it all, was not assuaged by simply writing about it. During the writing process other measure had to be taken in order to maintain a balanced life. Whatever the consequences it was vital that the story be written in order to reveal what I call ‘universal truths’. Finding the right tone and balance, yet not disguising the raw reality, may well have been an impossible task. Some will think I have succeeded and others will be sure I have failed.

Sunday, May 6, 2012

From the author



Boy on a Wire has been described as a ‘dislocated memoir’. Is To the Highlands similarly a dislocated representation of your own experiences?

This second novel is much more than dislocated because during my one year on the unnamed island I was often drunk and disorderly, kind of manic and all too eager for adventures and new experiences and, as a consequence, exact memories are not easy to access. But I also remember it being a very troubled time in my life and the thoughts, feelings, ethical dilemmas, confusions and guilt complexes that ran rampant during my late teens seem to have remained clear.  A number of incidents are deeply etched, including my final “breakdown”, which hit me hard and with a deep and lasting vengeance after I arrived back in my home town.

Monday, April 30, 2012

About the book


Jack Muir, the son of disappointed parents, and reluctant employee of The Colonial Bank of Australia, is dispatched to the capital of a regional outpost, in an unnamed island somewhere to the north of Australia. Like the capital itself, the country’s highlands – to which Jack is subsequently demoted in further disgrace – have a familiar feel to them. One suspects, very strongly, that this place might be Papua New Guinea.

In 1968, the greater world is full of upheaval and protest, warring and lovemaking. Its events are a million miles away from Jack’s sleepy and complacent Perth. But on the island, Jack falls into his own kind of revolution as he is lured by the irresistible promises of a sometimes brutal hedonism: on the island Jack comes to lose (at last!) his virginity and many of his inhibitions.

But if Jack and his compatriots are there for sport, there are locals for whom the precipice of independence is a serious matter indeed. So Jack meets the beautiful, talented, and unattainable Margaret Baker, being groomed to assume her rightful place amongst the classes of educated and elite, and he meets George Kanluna, powerful and impressive, watching and waiting for the moment his country will seize independence.

To the Highlands is a book set in a time and a place where a clear-sighted interrogation of colonialism could scarcely be expected of the white people who worked within its system. Jack Muir comes to the island with no more insight than many of his contemporaries, but his growing discomfort in a murky moral terrain becomes a mirror for the relationship between two countries poised (though to varying degrees) on the verge of maturation.

This novel is more than the story of one boy’s journey to man: it is an unflinching metaphor for a less than salutary chapter in Australia’s colonial history, laying bare, as it does, uncomfortable aspects our own national identity.

Sunday, October 9, 2011

A new book

To the Highlands, that's the title of the next novel by Jon Doust.
Chosen to echo a fine work by a fine West Australian writer, Randolph Stow, To the Islands, winner of the Miles Franklin in 1958.

To the Highlands is a  brutal tale of love and madness set in 1968 on a Pacific Island before it gains its independence from Australia. It follows the after-school life of Jack Muir (the boy from Boy on a Wire) as he stumbles into manhood and discovers racism, addiction, a sick colonial community and that he cannot let go the desire for revenge.
The edits are complete.
The manuscript is being typeset.
The author is nervous.
The marketing program is in early planning.
Fremantle Press will release it all in August this year.